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Home
About Us
About the Centre
Centre for Drama, Theatre and Performance Studies at St. George Campus
Communications Resources
Facilities
Other Campuses
Department of English & Drama (Mississauga)
Theatre & Performance Studies (Scarborough)
Employment Opportunities
Current Openings
CUPE Positions
Postdoctoral Fellow Positions
Tenure-Stream & Limited-Term Positions
Work-Study Positions
Mississauga & Scarborough Campus Positions
External Opportunities
Groups & Societies
Society of Undergraduate Drama Students
CDTPS Graduate Student Union
Research
Research Centres, Institutes & Labs
BMO Lab
Centre for Spectatorship and Audience Research
Digital Dramaturgy Lab_squared
Institute for Dance Studies
Institute for Dance Studies Members
Native Performance Culture and the Rhythm of [RE?]Conciliation: Re-Membering Ourselves in Deep Time
Poculi Ludique Societas (PLS)
Research & Publications
Faculty Publications
Undergraduate
Prospective Undergraduate Students
About
Programs
Admissions Information
Apply Now
Campus Tours
Undergraduate Program
Student Progression Requirements
Scholarships & Awards
Undergraduate Student Handbook
Community Assistance Participation (CAP)
Curriculum & Course Information
Current Undergraduate Courses
2021-22 Group B Studio Class Application Guidelines
Previously Offered Courses
Curricular Invitations: Modes of Restor(y)ation in Troubled Times
Graduate
Prospective Graduate Students
About our Graduate Studies
MA Admission & Application Information
PhD Admission & Application Information
Graduate Student Guide
MA Program
Program Requirements
Tuition & Funding
Scholarships & Awards
MA Graduate Forms
PhD Program
Program Requirements
Academic Milestones: Program by Year
Tuition & Funding
Scholarships & Awards
Ethics Review
Dissertations
PhD Graduate Forms
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Current Graduate Courses
Previously Offered Courses
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Graduate Students
Postdoctoral Fellows
Profile Update Form
Honours & Awards
Featured Awards
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News
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CDTPS e-newsletter
Events
Upcoming Events
Postponed to later date: Streaming Life: Storying the 94
BMO Lab | AI as Foil Series | A New Musical Frontier: AI Meets Music
Fiction in the Real: The Docufiction Theatre of TTD and HoD
Colloquia Series: Meet New Postdoctoral Fellows in Technology/Media and Performance
Performing during the Pandemic
Cántame (sing me): a poetic documentary for a sung performance process
Alumni Incubator Project
Graduate Open House
Connect with Us
Subscribe for CDTPS Updates
News & Events Submission Form
Affiliated Initiatives
Moving Voice Institute
UC Summer Drama
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Our Graduates in Academia
Resources
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Browse Publications
19 Publications Found
Web-Dance’s Era of Ecstasy
Publication Type
Book Review
Year:
2021
Authors:
Douglas Eacho
The Magic of Change: Frances Ya-Chu Cowhig's The World of Extreme Happiness
Publication Type
Book Chapter
Year:
2021
Authors:
Xing Fan
Performing Protest and Protesting Performance: The International Circuits of Touring Political Theatre
Publication Type
Article
Year:
2021
Authors:
Elliot Leffler
A Moment of Reckoning, an Activation of Refusal, A Project of Reworlding
Publication Type
Article
Year:
2021
Authors:
Jill Carter
You are Here: Charting a Personal Cosmography through Waterways, Bloodlines, and Constellations
Publication Type
Book
Year:
2021
Authors:
Jill Carter
Foreword. bug.
Publication Type
Book
Year:
2020
Authors:
Jill Carter
Indigenous Rage Incarnate: Irreconcilable Spaces and Indigestible Bodies
Publication Type
Book
Year:
2020
Authors:
Jill Carter
The Search for Alternatives in Latvian Theatre, 1991 — 2004: A Creator’s Notebook
Publication Type
Book
Year:
2020
Authors:
Baņuta Nora Rubess
Review of James Harding, Performance, Transparency, and the Cultures of Surveillance.
Publication Type
Book Review
Year:
2020
Authors:
Douglas Eacho
Compassionate Acts: Performance as Radical Care
Publication Type
Book Chapter
Year:
2020
Authors:
T. Nikki Cesare Schotzko
Pages
1
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