Dissertations

Dissertations in progress

Name Thesis Title Supervisor
Aikman, Lisa Locating the Dramaturgy in Documentary and Autiobiographical Theatre Copeland, Nancy
Crookston, Cameron Yesterday’s News: Drag’s Performance of an Affective Queer Past Johnson, Stephen
DeGrow, David Building the Theatre: Architecture, Mandate, Audience and the City Johnson, Stephen
Gagnon, Jeff Contemporary protest movements Freeman, Barry
Greyson, John The Limits of Cultural Solidarity: Queer Bodies, Queer Screens, and the Cultural Boycott of Israel Cobb, Michael
Jones, Matthew The Shock and Awe of the Real: Political Performance in an Age of War and Terror Freeman, Barry
Koumarianos, Myrto Apprentice to the Self: Research and Practice with the Open Program (Workcenter of Jerzy Grotowski and Thomas Richards) Budde, Antje
Lawrie, Johanna Appraising the Arts: Multiplicity of Value in Toronto’s Theatre Industry Freeman, Barry
Leadley, Allison Step Right Up! : (Re)Imagining the Freak Show in Contemporary Performance and Disability Theory Cesare Schoztko, T. Nikki
Lior, Noam Weak Kings, Jews, and Wizards: Performance Dramaturgy in Shakespeare and Marlowe Astingon, John
Martin, Montgomery  Performing Software: Developing Interface Metaphors and Interactive Dramaturgies Budde, Antje
Mathieson, Natalie Witnessing Trauma, Enacting Resistance: Concentration Camp Cabaret as Creative Testimony Johnson, Stephen 
Meindl, Maria Reading Elsa Gindler: A Historiographic Study of a Somatics Pioneer Johnson, Stephen
Moosavi, Marjan Socio-Cultural Interventionism on the Iranian Stage: Themes and Aesthetics Johnson, Stephen
Norris, Sonia Precarious Presence and the Trauma of Happiness: Positioning Contemporary Female Clown in a Globalised World Budde, Antje
Ortuzar, Jimena Performing Invisible Labour: The Globalization of Care in Aesthetic and Everyday Practice Quayson, Ato
Reinhart, Michael Towards a Systems-Based Understanding of Devised Theatre Johnson, Stephen
Salisbury, Jenny Community-Engaged Theatre Audiences: The Seat of Interpretation Freeman, Barry
Samur, Sebastian Rhythm in the Performing Body: An Examination of Three Collectives Trojanowska, Tamara & Fan, Xing
Shepherd, Lauren Somewhat Crossed in the Braine’: Diagnosing Performed Distraction on the Early Modern Stage Lopez, Jeremy
Silver, Cassandra Getting in on the Action: Intermedial Technology and the Empowered Spectator Trojanowska, Tamara
Thompson, Caitlin Making Fritters of English: Aesthetic Functions of Early Modern Welsh Dialect Comedy Astington, John
Thorp, Jessica Nerd Culture and Neo-burlesque Collide: An Ethnographic and Phenomenological Study of Nerdlesque in Toronto Johnson, Stephen
Vodovnik, Sanja Science fiction in drama, theatre and performance Budde, Antje
Williamson, Ashley Living Canada’s History: Troubling the Narratives of Canadian History Through Museum Performance Copeland, Nancy
Windeyer, Richard Black Box Exposures: Enriching public engagement and critique of Big Data through intermedial performance strategies Budde, Antje

 

Completed Dissertations 

Year Name Thesis Title Supervisor
2018 Julien, Martin Stubborn Subject: The Persistence of Self in Dramatic Acting  Johnson, Stephen
2018 Smith, Grace Models of Professionalism: Post WWI Strategies and Ideologies Towards a Canadian, Professional Theatre  Copeland, Nancy
2018 Esling, Natalia Adaptive Sense-Making: The Effects of Sensory Modification on Audience Reception Barton, Bruce
2018 Frijia, Natalie Representing Environmental Identities Through Geodrama Freeman, Barry
2018 Jacobson, Kelsey  Locating the Real in Contemporary Canadian Performance Gallagher, Kathleen
2018 Zisman Newman, Laine Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage Goldstein, Tara
2018 Tihanyi, Deborah Conceiving Dramaturgical Practice in English Canada: Histories, Methods, and Models, Post-WWI to the 1990s Pietropaolo, Domenico
2017

Lucci, Laura

Pirandello’s Dramaturgy of Time Pietropaolo, Domenico
2017 Stowell-Kaplan, Isabel They Did the Police in Different Voices: Representations of the Policeman and Private Detective in Victorian Drama, Theatre and Performance. Johnson, Stephen
2016

Babyants, Art

"In Unknown Languages”: Investigating the Phenomenon of Multilingual Acting Gallagher, Kathleen
2016

Boye, Seika

Looking for Social Dance in Toronto’s Black Population at Mid-century: A Historiography Johnson, Stephen
2016

Cole, Jenn

Hysteria: Potential Dramaturgies Toward a Portrait of Ambiguity Johnson, Stephen
2016

Kovacs, Sasha

“I may act till the world grows wild and tense”: The Performances of E. Pauline Johnson Tekahionwake  Johnson, Stephen
2016

Liebembuk, Shelley

The Choteadora’s Body in Performance: Carmelita Tropicana and the Intersectional Strategy of Choteo  Johnson, Stephen
2016

Taucar, Jacqueline

Acting (Outside) the Multicultural Script in Toronto’s Ethno-cultural Festivals  Budde, Antje
2015

Ashby, James

Ideas in Motion: New Work Development at Puppetmongers Theatre Company Barton, Bruce
2015

Babiak, Paul

Slapstick and Knockabout: Violence and Laughter in 19th-Century Theatre and Early Film Johnson, Stephen / Keil, Charles
2015

Blum, Justin

Melodrama, Monstrosity and Modernity: The Theatrical Histories of Jack the Ripper Johnson, Stephen
2015

Campbell Melissa

Acts of Resistance: The Reclaiming of Native Womanhood in Canadian Aboriginal Theatre Barton, Bruce
2015

Fitzsimmons Frey, Heather

Young Adult Spectatorship and Theatre for Young Audiences Gallagher, Kathleen
2014

Cauthon, Courtney

Moving Towards Thought: Theatricality, Technology, and the Theatre Trojanowska, Tamara
2014

Chung, Kathy

Getting it Straight:” Ambivalent Misalignment and the Kinship Idiom in the Drama of Sharon Pollock Plant, Richard
2014

Jordão, Aida

Iñes de Castro in Theatre and Film: A Feminist Exhumation of the Dead Queen Copeland, Nancy
2014

Osakwe, Chima

Revolutionary Drama in Postcolonial Nigeria: The Theatre of Femi Osofisan Esonwanne, Uzoma
2013

Halferty,  Paul J.

Political Stages: Gay Theatre in Toronto, 1967-1985 Most, Andrea
2013

Houle, Gabrielle

Masks and Masked Performance in Giorgio Strehler’s Vision of the Commedia dell’arte Pietropaolo, Domenico
2013

Jackman, Christopher

Disciplined Mind: Implicit Cognition in Devised Performance Barton, Bruce
2013

MacArthur, Michelle

Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to the Present Copeland, Nancy
2013

Turner, Mark

Dissenting Shadows: A History of Film Policy and Production in Newfoundland and Labrador, 1933-1997 Johnson, Stephen
2012

Corbett McCallum, Natalie

Staging Canlit: Reinterpreting the Canadian Literary in English-Language Stage Adaptations of Canadian Fiction and Poetry from 1975-2011 Barton, Bruce
2012

Rich, Alysse

Re-configuring the Chorus: Adaptations of the Greek Tragic Chorus since WWII Revermann, Martin
2011

Jovanovic, Nenad

Brechtian Cinemas: Montage and Theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins and Lars von Trier Soldovieri, S. 
2011

Papoutsis, Natalie

An Ear for an Eye: Greek Tragedy on Radio Pietropaolo, Domenico
2011

Zaiontz, Keren

The Stagehands of Subversive Spaces: Site-specific Performance and Audience Labour  Copeland, Nancy
2010

Benabu, Joel

Shakespeare’s Openings in Action: A Study of Four Plays from the Period 1591- c.1602 Levenson, J.L.
2010

Carter, Jill

Repairing the Web: Spiderwoman’s Children Staging the New Human Being Sperdakos, Paula
2010

Freeman, Barry

Toward a Postmodern Ethnography of Intercultural Theatre: An Instrumental Case-study of the Prague-Toronto-Manitoulin Theatre Project Gallagher, Kathleen 
2010

Manole, Diana

Poetics of Denial: Expressions of National Identity and Imagined Exile in English-Canadian and Romanian Dramas Plant, Richard
2010

Stuart McKinnon, James

The Dramaturgy of Appropriation: How Canadian Playwrights Use and Abuse Shakespeare and Chekhov Copeland, Nancy
2009

Borody, Claire

Primus Theatre: Establishing an Alternative Model for Creating Theatre in English Canada Barton, Bruce
2009

Colli, Gian Giacomo

The Impossible Tempest: Giorgio Strehler or the Director as Interpreter Astington, John H.
2009

Harrower, Natalie

The Performance of Critical History in Contemporary Irish Theatre and Film Keil, Charles
2009

Malone, Toby

Hast Thou Been Tampering? – Dramaturgical Adaptation in Richard III Levenson, J.L.
2009

Marquis, Elizabeth:

Just Act Naturally: A Poetics of Documentary Performance Keil, Charles
2009

Melo, Sergio

Deconstructing the Transhistorical in Contemporary Productions of The Merchant of Venice Astington, John H.
2009

Ovadija, Mladen

The Dramaturgy of Sound in Futurist Performance Pietropaolo, Domenico
2009

Stathaki, Aktina

Adaptation and Performance of Greek Drama in Post-Apartheid South Africa Quayson, Ato
2009

Whittaker, Robin

Un/Disciplined Performance: Nonprofessionalized Theatre in the Professional Era Barton, Bruce
2009

Wolfe, Graham

Encounters with the Real: A Žižekian Approach to the Sublime and the Fantastic in Contemporary Drama Barton, Bruce
2008

Gardiner, Jessica

The Amusement World”: Theatre as Social Practice in Eighteen-Nineties Toronto Plant, Richard
2008

Schreyer Duarte, Birgit

Made in Kanada? Perception and Construction of Canadianness in English-Canadian Drama on German Stages Barton, Bruce
2007

Adah, Anthony

Embodying the Screen: Body and Identity in Aboriginal Cinemas Armatage, K.
2007

Alvarez, Natalie

The Poetics of Regret: Performance as Nostalgia Johnson, Stephen
2007

Ashperger, Cynthia

Michael Chekhov’s Acting Technique in Contemporary Pedagogy and Practice Sperdakos, Paula
2007

Del Degan, Dario

The Staged Painting of Samuel Beckett Howard, P.
2007

Devine, Michael

Necessary Evils: Strangers, Outsiders, and Outposts in Newfoundland Drama Barton, Bruce
2007

Olayia, Kolawole

The Poetics and Politics of Wole Soyinka and Athol Fugard Kortenaar, Neil ten
2007

Racette, Anna

Shakespeare in the Body: An Exploration of Student Audiences at the Stratford Festival Astington, John H.
2007

Stedman, Samuel

Always Already Almost: Levinas, Derrida, and An Ethico-Political Theatre Johnson, Stephen
2007

Stoesser, Paul J.

Hart House and the International Art Theatre Pietropaolo, Domenico
2006

Gilbert, Schuyler (Sky)

Noel Coward and the Queer Feminine Johnson, Stephen
2005

Gluhovic, Milija

Memory-Theatre of Harold Pinter, Tadeusz Kantor, and Heiner Müller Trojanowska, Tamara
2004

Case, Mary

The Lost Plays of the Beat Generation: Dramaturgical Strategies for the Production of Plays by Kenneth Rexroth, Kenneth Patchen, Lawrence Ferlinghetti, and Diane Diprima Blostein. D.A.
2004

Duchesne, Scott

‘Fitful Excellence’: The Great Canadian Theatre Company and English-Speaking Ottawa Theatre, 1975-1983 Plant, Richard
2004

Lindgren, Allana

Dance as Social Activism: The Theory and Practice of Franziska Boas, 1933-1965 Johnson, Stephen
2004

Ormsby, Robert

Staging and Receiving Shakespeare: Four Late Twentieth-Century Productions of Coriolanus Levenson, J.L.
2004

Quint, Cordula

Dramaturgy and Mise en Scene of the Post Modern Abyss: Subjectivity in Robert Wilson’s Theatre, 1967-1987 Pietropaolo, Domenico
2004

Rusch-Drutz, Corinne

Interviewing the Mothers of Invention: A Qualitative Analysis of Women Theatre Practitioners in Toronto Murray, H. / Plant, Richard
2004

Schweitzer, Marlis

Becoming Fashionable: Actresses, Fashion, and the Development of American Consumer Culture, 1893-1919
 
Johnson, Stephen
2004

Solga, Kimberley

Invisible Acts: Performing Violence Against Women in Early Modern and Contemporary Drama in English
 
Copeland, Nancy
2003

D’Anger, Tanya

New World Visions: A Textual Analysis of the Plays of Normand Chaurette, René-Daniel Dubois, and Jean-Marc Dalpé, from 1975-1996, Exploring Their Growing Preoccupation with the Status and Role of the Individual in Western Society Doucette, L.E.
2003

Fitzpatrick, Elizabeth

The Emergence of a Post-National Aesthetic in Contemporary Irish Drama 1980-2000 Sidnell, M.J.
2003

Meerzon, Yana

Actor, Stage Figure and Dramatic Character Semiosis in Michael Chekhov’s Theatre Practice and Theory Ambros, Veronika
2003

Stephenson, Jennifer

Uplifted to the View: A Phenomenology of Shakespearean Metatheatre Leggatt, A.M.
2003

Walkinshaw, Anges

A Foundation of Knowledge About Drama within the Primary and Junior Education System Wilkinson, J.
2002

Beddows, Joël

L’institution Théâtrale Franco-Ontarienne (1971-1991): Entre Mission Communautaire et Ambition Professionnelle
 
O’Neill-Karch, M.
2002

Coulthard, Lisa

Trauma Talk: Theorizing Violence and Victimization in Contemporary Performance Copeland, Nancy
2002

Kydd, Zorana

From Vaudeville to Broadway: The Theatre of George Kelly Hayne, B.
2002

Reid, Sharon

The Stages of Augustin Daly Bryden, Ronald
2002

Simm, Teresa

Antonia Pulci and the Practice of Convent Performance in Renaissance Italy Pietropaolo, Domenico
2002

Skidmore, James

A Critical Analysis of Cirque du Soleil, 1987-2001 Bouissac, P.
2001

Akalin, Esin

Discovering Self and Other: Representation of Ottoman Turks in English Drama (1656-1792) Corman, B.
2001

Carpenter, Ian

Comic Violence: from Commedia dell’Arte to Contemporary Cinema Hayne, B.S.
2001

Jestrovic, Silvija

Making the Familiar Strange in Theatre and Drama: From Russian Formalist Avant-Garde to Brecht Ambros, Veronika
2001

Johnston, Kirsty

Staging Madness: Dramatic Modes of Representing Mental Illness at the Workman Theatre Project, 1989-2001 Plant, Richard
2000

Cockett, Peter

Incongruity, Humour and Early English Comic Figures: Armin’s Natural Fools, the Comic Vices, and Tarlton The Clown Astington, John H.
2000

Costello, Charles

For any Spirringes in Pat Space: The Theatrical Game of the York Plays Johnston, A.F.
2000

Galery, Maria-Clara

Identifying Strategies for the Production and Reception of Shakespeare in Brazil and Argentina Neglia E./ Sternberg, R.
2000

Sivak, Nadine

‘Howwe gonna find my Me?’: Situating the Self in Contemporary North American Drama and Film Flinn, C.
1999

Bendikas, Kristina

Opera Productions of Jean-Pierre Ponnelle: The American Years (1958- 1986) Marker, Lise-Lone
1999

Ceolin, Mark

Francesco Algarotti and Francesco Milizia: Architectural and Dramatic Theorists of the Italian Enlightenment Pietropaolo, Domenico
1999

Harries, Rebecca

The Monstrous World and its Shadow – The Grotesque Aesthetic and the Apocalyptic in German Expressionist Drama and Film Hayne, B.S.
1999

Shih, Wen-Shan

Intercultural Theatre: Two Bejing Opera Adaptations of Shakespeare Leggatt, A.M.
1999

Weiss, Peter

Forgotten Reality, Remembered Fiction: Production Values and Court Opera, 1598-1608 Pietropaolo, Domenico / Parker, M.A
1998

Appleford, Robert

The Indian ‘Act’: Postmodernism and Native Canadian Performance Plant, Richard
1998

Golomb, Liorah

Peter Barnes and the Nature of Authority Leggatt, A.M.
1998

Herr, Christopher

Life Printed on Dollar Bills: The Idea of the Marketplace in Clifford Odets Marker, Frederick J. 
1998

Jaffe, Erith

Towards a Paradigm of the Polylingual Performance: Linguistic and Metalinguistic Functioning in the Commedia dell’Arte Pietropaolo, Domenico
1998

Mann, Laurin

Actor Training in Toronto: Theory in Practice Sidnell, M.J.
1998

Moser, Marlene

Postmodern Performance and Feminist Practice in the Canadian Context: A Study of Identity in Selected Plays of Judith Thompson and Margaret Hollingsworth and Selected Films of Patricia Gruben Kerckhove, D. de
1998

Piccolo, Cynthia

The Characterization of the Judge in English Medieval and Tudor Drama Klausner, D.N.
1998

Rusnak, Stephen

A Phenomenology of Dramatic Dialogue Pietropaolo, Domenico
1998

Scovell, Dawn

A Performance History of Christopher Marlowe’s Edward II on the British Stage and Screen Levenson, J.L.
1998

Shiller, Romy

A Critical Exploration of Cross-Dressing and Drag in Gender Performance and Camp in Contemporary North American Drama and Film Flinn, C.
1997

Andrews, Una

Tyrone Guthrie and the Open Stage Controversy in Post-War Britain Bryden, Ronald
1997

Freeman, Sarah Jane

‘Speake That I May See Thee’: Figures of Rhetoric in Shakespeare’s Comedies Levenson, J.L.
1997

Hanson, Richard

Principal Witness: Herbert Whittaker and Canadian Drama Bryden, Ronald
1997

Little, Edward

Theatre and Community: A Case Study of Four Colway-Style Plays Performed in Canada Parker, R. Brian
1997

Scott, Shelley

Feminist Theory and Nightwood Theatre Sidnell, M.J.
1997

Sokalaski, Joseph

The Theatre of Steele MacKaye: Pictorial Illusion on the American Stage Marker, Lise-Lone
1997

Stoeber, Colette

Harold Pinter’s Play with Form: a Cross-Media Analysis of His Texts Marker, Frederick J. 
1996

Migliarisi, Anna

Theories of Directing in Late Renaissance and Early Baroque Italy Pietropaolo, Domenico
1996

Tallman, Kenneth

Challenges to Representation in Selected Stage Plays of Samuel Beckett Saddlemyer, Ann
1995

Barton, Bruce

Changing Frames: Medium Matters in Selected Plays and Films of David Mamet Bryden, Ronald
1995

Rae, Elizabeth

Christopher Newton’s Years at the Shaw Festival, 1980-1993 Saddlemyer, Ann
1995

Redondo, Susana

The Female Spectator as Subject in Contemporary British Drama Saddlemyer, Ann
1995

Scott, Robert

Professional Companies and Performers in Ontario, 1914 to 1967 Saddlemyer, Ann
1995

Silversky, Sandra

The Role of the Designer in Canadian Theatre Saddlemyer, Ann
1995

Steinacker, Wiltrud

Georg Fuchs and the Concept of the Relief Stage Jaumann, H.
1995

Underhill, Jacqueline

The Staging of Biblical Plays in Coventry, 1392 to 1579 Johnston, A.F.
1995

Wise, Jennifer

Prolegomenon to the Study of Dramatic and Theatrical Theory Kerckhove, D. de
1994

Defraeye, Piet

Shocking the Audience: A Study of Audience Provocation in the Theatre with Special Reference to Arrabal, Handke and Brenton Sidnell, M.J.
1994

Press, Anita

Sadler’s Wells Theatre under Charles Dibdin the Younger from 1800 to 1819: When Britannia Ruled the Stage Marker, Lise-Lone
1993

Kerr, Rosalind

The Actress as Androgyne in the Commedia dell’Arte Scenarios of Flaminio Scala Pietropaolo, Domenico
1993

Trojanowska, Tamara

Slawomire Mrozek and Vaclav Havel: Moral Theatre of Identity in Crisis Bryden, Ronald
1992

Bain, Theodore

The Theme of Intellectual Dandyism in Modern British Drama: A Study of Simon Gray Bryden, Ronald
1992

Cottreau, Deborah

Text, Context and Decentring the ‘I’: Beckett’s Later Stage Plays Saddlemyer, Ann
1992

Gantar, Jure

Dramaturgical Strategies for Producing Laughter Sidnell, M.J.
1992

Gibson, Sarah

Canadian Plays for Young Audiences: James Reaney, Carol Bolt and Dennis Foon Saddlemyer, Ann
1992

Nichols, Glen

Textual Adaptations for Amateur Performances in Quebec, 1875-1908 Doucette, L.E.
1992

Nichols, Louise

Silent Characters in Shakespeare’s Plays: Texts and Productions Astington, John H.
1992

Sloniowski, Jeannette

Cinema of Cruelty: Affective Rhetoric in Film Skvorecky, J. / Bryden, Ronald
1992

Smigel, Elizabeth

Dance as a Dramaturgical Device in Victorian Drama: the Plays of Charles Selby, 1802-1863 Bryden, Ronald
1992

Walker, Craig

Versions of the ‘Poetic’ in Canadian Drama Blostein, D.A.
1992

Weaver, Bronwyn

Empowering the Children: Theatre for Young Audiences in Canada Courtney, R.
1991

Hauck, Gerhard

Reductionism in Drama and the Theatre: the Case of Samuel Beckett Blostein, D.A.
1991

Jones, Sally L.

The Original Characters of Edwin Forrest and his American Style Marker. Lise-Lone
1991

Michel, Barbara

Orchestration of Light, Space and Form: The Role of the Art Director in the Classical Hollywood Cinema Tolton, C.D.E.
1990

Dwyer, Ruth

Malcolm St. Clair, 1897-1957 Skvorecky, J.
1990

Kirkley, R. Bruce

Theatre into Television: Practice and Theory in English-Canadian Drama, 1951-1987 Saddlemyer, Ann
1990

Smith, Catherine

Parody in the Plays and Productions of George F. Walker Parker, R. Brian
1990

Sperdakos, Paula

Dora Mavor Moore: Her Career in Canadian Theatre Bryden, Ronald
1989

Blasting, Ralph

The Kunzelsau Corpus Christi Play: A Dramaturgical Analysis Johnston, A.F.
1989

Chiba, Yoko

The Influence of the Noh In Yeats’s Theatre Sidnell, M.J.
1988

Fort, Timothy 

Incandescence and the Birth of Modern Lighting Design, 1895-1925 Marker, Lise-Lone
1988

Pilkington, Lionel

The Northern Ireland Crisis in Contemporary Irish and British Drama Saddlemyer, Ann
1988

Rockett, William

The Savage Cinema: Transcendence in the Film of Terror Skvorecky, J.
1988

Walsh, Paul

Strindberg’s New Naturalism Marker, Lise-Lone
1987

Day, Moira

The Influence of Elizabeth Sterling Hayes on the Alberta Theatre Movement Saddlemyer, Ann
1987

Johnston, Denis

Toronto’s Alternate Theatres in the 1970s Saddlemyer, Ann
1987

Peel, William

The Role of the Dramatic Text in the Theory and Practice of Jacques Copeau Marker, Lise-Lone
1987

Rewa, Natalie

Amateur and Garrison Theatricals in Kingston and Quebec City, 1800-1880 Saddlemyer, Ann / Doucette, L.E.
1987 Schiller, Chris Dramatic Language in the Plays of Stoppard, Shaffer, Bond and Arden  Sidnell, M.J.
1985

Abel, Douglas

The Acting of Edmund Kean, Tragedian Marker, Lise-Lone
1985

Copeland, Nancy

Spranger Barry, Garrick’s ‘Great Rival’: His Contribution to 18th-Century Acting Marker, Lise-Lone
1985

Filewood, Alan

The Development and Performance of Documentary Theatre in English-Speaking Canada, 1959-1980 Sidnell, M.J.
1985

Wagner, Anton

Herman Voaden’s Symphonic Expressionism Saddlemyer, Ann
1985

Westley, Meg

A Stage History of Troilus and Cressida Marker, Lise-Lone
1984

Blagrave, Mark

Playwriting in the Maritime Provinces, 1845-1903 Saddlemyer, Ann
1984

Forbes Park, Alan

The Dramas of Edward Bulwar, First Lord Lytton: An Historical, Thematic and Stylistic Evaluation Davies, Robertson
1984

Kleber, Pia

The Influence of Bertolt Brecht on Roger Planchon’s Mises en Scene Blostein, D.A.
1984

Lenton, Gerald Bartley Bruce

The Development and Nature of Vaudeville in Toronto, 1899-1915 Saddlemyer, Ann
1984

Lynde,  Denyse C

Myth and Image-Makers: A Study of the Plays of Gwen Pharis Ringwood and Lady Gregory Saddlemyer, Ann
1984

Westfall, Suzanne R.

The Entertainment of a Noble Patron: Early Tudor Household Revels Lancashire, D.I.
1983

Gardner, David Emmett

An Analytic History of the Theatre in Canada: The European Beginnings to 1760 Davies, Robertson
1983

Parry, David Mackenzie

The Castle of Perseverance: a Critical Edition Leyerle, J.
1983

Rudakoff, Judith D.

Characterization and Interaction in the Plays of David French, David Freeman, Michel Tremblay and David Fennario Saddlemyer, Ann
1983

Skene, Reginald R.

Theatre and Community: Development Toward a Professional Theatre in Winnipeg, 1897-1958 Bryden, Ronald
1982

Butler, Susan Hardy

A Shakespeare Scrutiny Parker, R. Brian
1982

Elliott, Hilary M.

Images of Society in English-Canadian Drama, 1919-1975 Saddlemyer, Ann
1982

Gaskell, Ian

The Ironic Perspective in Marlowe’s Plays Maclure, M.
1982

O’Dell, Leslie Ann

Theatrical Events in Kingston, Ontario: 1879-1897 Davies, Robertson
1981

Much, Rita E.

The Staging of Ibsen’s Modern Plays in England Marker, Lise-Lone
1981

Salter, Denis William Salter

A Stylistic Analysis of Henry Irving’s Non-Shakespearean Productions, 1870-1905 Marker, Lise-Lone
1980

Cooper, Thomas William

Pioneers in Communicating: The Lives and Thought of Harold Innis and Marshall McLuhan Skvorecky, J.
1980

Hendrickx, Johan R.

Ben Travers and the English Farce Tradition Bryden, Ronald
1980

Levine, Ira

Theatre in Revolt: Left-Wing Dramatic Theory in the United States (1911-1939) Saddlemyer, Ann
1980

Redfern, Jon

To Refine and Reform the English Stage: A Study of James Robinson Planche’s Scenic Reforms, 1820-1850 Marker, Lise-Lone
1980

Rittenhouse, Jonathan

A Critical Edition of 1 Sir John Oldcastle Lancashire, A.C.
1980

Usin, Lea V.

From Scatology to Eschatology: Religious Elements in the Drama of Michel de Ghelderode Riese, L.
1979

Binnie, Eric

A Critical Examination of the Theatrical Designs of Charles Ricketts (1866-1931) Saddlemyer, Ann
1979

Diamond, Marc Leslie

English Theatre Lighting in the Nineteenth Century Marker, Lise-Lone
1979

Fulks, Wayne M.

The Seasonal Comedies of Christopher Fry: The Lady’s Not for Burning, Venus Observed, The Dark is Light Enough, A Yard of Sun LePan, D.V.
1979

Plant, Richard L.

Leaving Home: A Thematic Study of Canadian Literature with Special Emphasis on Drama, 1606-1977 Margeson, J.
1978

Craven, Marilyn A.

The Theatre of Peter Terson: An Examination of the Playwright’s Evolving Style, with Emphasis on Selected Plays Performed at the Victoria Theatre, Stoke-on-Trent Saddlemyer, Ann
1978

Dugan, James

A Critical Study of the Plays of Elizabeth Inchbald Davies, Robertson
1978

Schonberg, Michael

The Osvobozene Divadlo (The Liberated Theatre) of Voskovec and Werich: A History Skvorecky, J.
1977

Braid, Angus

The Adelphi Drama (1825 to 1858): A Theatrical Tradition Marker, Lise-Lone
1977

Elchen, Sylvia V.

Costume in the Theatre of Edward Gordon Craig Leggatt, A.M.
1977

Hannaford, Stephen

The Significant Object in Western Comedy Leggatt, A.M.
1977

Kelly, Veronica

A Study of the Theatre of Eugene Ionesco Riese, L.
1977

Mlodzik, Ronald Antony

Stephen Philips: An Investigation of his Career in London’s West End, 1899-1906 Davies, Robertson
1976

Froelich, Alfred

N.F. Simpson and the Aesthetics of Nonsense Saddlemyer, Ann
1976

Lane, Harold

The Continuity of Strindberg’s Damascus Cycle Marker, Lise-Lone
1976

Lytle, Thomas Allen

A Critical and Interpretative Edition of More Dissemblers Besides Women, by Thomas Middleton Parker, R. Brian
1976

van Dijk, Maarten

Sinking the Villain: John Philip Kemble, Neo-Classical Acting Style and the Interpretation of Villains Marker, Lise-Lone
1975

Aikens, James

The Rival Operas: Toronto Theatre, 1874-1884 Davies, Robertson
1975

Medjuck, Joseph A.

Film and the Illusion of Reality Skvorecky, J.
1975

Stephenson, Anthony

The Impossibilists: Alternatives to the Commercial Theatre in London, 1890-1914 Davies, Robertson
1974

Astington, John Harold

The Staging of the Beaumont and Fletcher Collaborations, 1606-1616 Van Fossen, R.W.
1974

Stuart, Euan Ross

An Analysis of Productions on the Open Stage at Stratford, Ontario Marker, Frederick J. 
1972

Whitehead, Graham

The Craftsmanship of Sean O’Casey Saddlemyer, Ann
1970

Brigg, Peter

Time in the Plays of J.B. Priestley, Samuel Beckett and Harold Pinter Davies, Robertson
1970

Kaplan, Joel

Some Uses of Exuberance in Jacobean Comedy Parker, R. Brian